Fin de 2021

Here’s some recent work completed in the final days of 2021.

Tread Lightly – a sample piece for a story I’m marinating on.
Jellyfish Girl – inspired by kelp forests

Commercial Observer 2021- 4th year in a row

I’ve been fortunate to be able to illustrate portraits for Commercial Observer for four years in a row now. Here are 20 portraits of real-estate bigwigs for their 2021 Lenders Issue

Portrait factory on my drafting table

Spiders and meat – recent work

Now that I have your attention with that title…here are two recent illustrations of completely unrelated subjects:

First, an illustration about the habitat of the Western black widow spider and a monarch for the Nature Conservancy of Canada

Secondly an illustration of various meat items for Penn Stater’s Big 3 column.

A friendly black widow spider illustration!
I can draw monarchs in my sleep now 🙂
Illustrating meat is surprisingly fun for a vegetarian

Plein air sketches from Ireland

Joel and I are back from a 3-week trip to Ireland. We rented a car and drove around the country as far north as Co. Sligo but didn’t have time to make it to Northern Ireland (there is a LOT to see in Ireland). It was fabulous! We saw and did so many things I can’t quite remember it all. When Joel and I roadtrip, we roadtrip hard. We had beautiful weather, a heat wave in fact, and only two days of rain…so it was perfect for sketching!

I feel like I need to say this somewhere and since I’m not active on social media, I’ll say it here: please don’t go on bus tours. Ireland’s tiny roads are literally clogged with massive tour buses who are dropping thousands people off at sites, turning them into circuses. Those sites are not meant to accommodate that many people at the same time. Go on a small tour with a van-full of people…not a giant tour bus. Or better yet, rent a car! You get a much more authentic experience than the pre-packaged tours. Driving on the other side of the road is not that hard, you get used to it.

And now on to the sketches:

The Superintendent’s Lodge in St. Stephen’s Green in Dublin. Our first sketch of the trip.

The round tower at Glendalough Monastery in Co. Wicklow. There are hundreds of these thousand-year-old towers all around Ireland, many of them still standing like this one. You can’t go in because the door is 10 ft from the ground, so they would have needed a ladder to get in. Fun fact, I lost my nose ring in the long grass while sketching this (don’t ask).

Blarney Castle, Co. Cork. Jam-packed with American tourists, but worth seeing nonetheless. It’s a very picturesque ruin and the gardens are amazing.

Poulnabrone Dolmen in the Burren. I realized as I was sketching this that I’ve drawn it before…from a photo that my mother took on her trip to Ireland. Turns out it was the same dolmen. Hah.

The wreck of the Plassey on Innisheer, the smallest of the Aran Islands. This massive ship was wrecked in the early 1960s and was washed ashore where it’s been deteriorating ever since. Joel and I sought it out because it was featured as an aerial view in the intro to Father Ted, one of my favourite tv shows.

We thought “we can’t leave Ireland without drawing one the famine cottages”. Most famine cottages are either in ruins or have been converted to animal enclosures; this one was being used as a shed. It was located on the road towards the Rosserk Priory in Co. Mayo.

I love this building so much. It used to be an Edwardian bathhouse that specialized in seaweed baths, but was abandoned 40 years ago because the tide was encroaching. I love that it was built to look like a sandcastle. Not to worry though, if you want a seaweed bath you can visit Enniskillen Bathhouse up the road in Enniscrone, another Edwardian-era bathhouse still in operation. Joel and I tried a seaweed and steam bath there and it is definitely an experience.

New Year, new illustrations

I had some time over the holidays to work on more illustrations, including a portrait of Florence Welch, the lead singer of Florence and the Machine. I’ve always thought her look was reminiscent of pre-Raphaelite paintings, so here is my homage. I also made an illustration that celebrates the history of printing (yes, my letterpress modelled for this one).